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[耳机] 可以直推的耳机AKG K240S是一个经典

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发表于 2010-4-27 13:01:21 | 显示全部楼层 |阅读模式

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K240S是我买的第一个发烧耳机,音色经典,取向正。K240系列是上世纪70年代上市的,能够一直延续到今天,这就是经典的力量。
大家来谈谈经典的直推耳机吧。
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发表于 2010-4-27 13:38:11 | 显示全部楼层
K240早期的确实是经典,但做到K240S就不是了
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发表于 2010-4-27 13:52:41 | 显示全部楼层
M1
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发表于 2010-4-27 16:00:47 | 显示全部楼层
240s根本没240的味道
beyer的声音,如果正确的看他,不但拥有自然,准确,而且也具有至高的美,正像雕刻的美,是一种冷而严肃的美,这种美没有绘画那些华丽的色彩,但却可以纯洁到崇高的地步能够达到只有最伟大的艺术才能显示的完美的境地
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发表于 2010-4-27 16:04:19 | 显示全部楼层
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发表于 2010-4-27 16:16:07 | 显示全部楼层
所以LZ说是直推嘛
系统慢慢重建中~~~
带上耳机吹吹风~~~
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发表于 2010-4-27 18:21:21 | 显示全部楼层
240S是典型的AKG廉价耳机The first K240 was introduced in 1975. From its design it looked similar to the K240 models we know from curreNt production. Only the metal rings over the ear cups were of silver colored polished aluminum and the inner headband was perforated. Like in the recent version K240 Monitor a 32mm driver was used but it was surrounded by 6 passive radiators. Each radiator consisted of a membrane attached to a perforated disc covered with carefully selected acoustical friction material. Conventional circum-aural headphones often have a resonance peak in the upper bass region followed by a more or less significant bass roll off. The result: an unnaturally sounding boomy bass. The resonant frequency of the passive radiators in connection with the relatively high friction of the damping material behind these membranes effectively influences this irregularity in the frequency range.In the region of the bass boost the membranes become transparent to sound waves and thus reduce the air pressure in the coupling cavity between capsule and ears. In that way the bass boost is leveled out. Below this boost-frequency the membranes block the sound waves and the roll-off is compensated. This acoustic principle was invented by Dr. Goerike, co-founder of AKG.The first K240's had a four core cable and were available in two connector versions. One had the standard 6,3 mm stereo jack while the other carried a 5 pin connector according to the German DIN standard. This plug was known as Wuerfelstecker (Wuerfel = dice) because the 5 pins were arranged like the dots of a dice. The advantage was that the connector could be plugged into an amp or TV set in two directions. One caused the internal speaker to be turned off, while in a 180-degrees turned position both speaker and headphones were on. For this trick it was necessary to have all four terminals of the headphone drivers connected to the plug.这就是SEXTETT,1975年生产的是K240SEXTETT EP http_imgloadCAD5WBGJ.jpg http_imgloadCA0SX6R0.jpg http_imgloadCAT860GY.jpg http_imgloadCASV9RM6.jpg In France the K240 was named K242 for marketing reasons and during the first years of it's production.这个是K242,不同于后来的K242HD,当然重复使用这个型号名称,也说明当时的K242在它的产品序列中无足轻重。 5533ba7e_PICT0005.JPG

典型的麻花线,而非SEXTETT的那种四股合一的线

典型的麻花线,而非SEXTETT的那种四股合一的线

白金色的AKG标识,和头版DF的一样

白金色的AKG标识,和头版DF的一样


13b22921_PICT0007.JPG

0292a1ef_PICT0009.JPG



Headphones with the same working principle as the K240 but with individual design were built by AKG for Philips (N6330), Saba (H200) and Uher (W774 and W775).Although the first series of the K240 were a great success, there were certain discussions among the experts at AKG if the same effect as achieved by the passive radiators could be reached or even surpassed by a different design possibly less critical in production. This brought the introduction of the K241 where instead of the passive radiators only various sound ports covered by acoustically resistive material were used. The dynamic drivers were surrounded by apertures closed by carefully selected friction materials with various values of perviousness related to the acoustic impedances of the outer ear. The K241 was introduced in 1979.Soon after the introduction of the K241 it's principle of the variable acoustic resistors – patented by AKG – was applied to the K240 as well and replaced the passive membranes.这个是K241,一款已经可以看到第一版DF和M单元结构的耳机 http_imgloadCAVE2ULS.jpg http_imgloadCAYRH3ND.jpg In 1984 AKG introduced the K240DF, acoustically equalized to the diffuse sound field.  The K240DF refers to such a sound field present in a reverberation chamber using third-octave filtered pink noise and measured in the close vicinity of the ear drum with a measuring probe. The work of the IRT - Institut für Rundfunktechnik (Institute for Broadcast Technology) in Munich proposed a standard for headphone-monitoring calling for the diffuse field equalization of monitoring headphones coming closest to loudspeaker monitoring, because there existed no current IEC or CCIR standard for such a system. Especially at times, when program material is exchanged between stations internationally and the monitoring facilities may vary it looks extremely sensible to exclude the varying acoustical parameters of the different monitoring rooms and refer to standardized headphone monitoring when comparing program material.这就是DF,可以看看1984年版本的DF和今天的有什么不同 http_imgloadCAC8ANAK.jpg http_imgload.jpg The K240 Monitor as made from 1984 to 2006 was based on the K240 without passive membranes but with the ear related resistive sound ports. It's earshells were decorated with gold colored metal parts and a three core cable with universal 6,3/3,5 mm (1/4" and 1/8") plug was attached.这个就是M,可以看看头版的M和今天的M有什么不同 http_imgloadCAMZYB2Q.jpg http_imgload00.jpg http_imgloadCA519PXS.jpg In 1997 when AKG celebrated it's 50th anniversary the "K240 Jubilee" in limited edition was made. Acoustically a K240M, it had different nameplates and came with a booklet with a short history of AKG. http_imgloadCAHIFJ3O.jpg 20100427_db7c6e24597237d6cf8czdojM7fbSBOR.jpg 20100427_fd7d137bbe55b84b1434f54izLfIpjjS.jpg In 2002 the 'Studio' Series of headphones was launched. A newly developed capsule with low impedance makes these products especially suitable for portable equipment. The cable is easily detachable. The first series had a minijack connection while from 2003 on a miniXLR-connection between earshell and cable is used. In the same year the closed version of the K240 Studio called K 271 was released.这就是S,你很难说这只耳机的结构和当时的那些老耳机已经有什么相同之处了。 1596166_DSC00191.jpg

[ 本帖最后由 davidxtb 于 2010-5-30 18:59 编辑 ]
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发表于 2010-4-27 18:25:06 | 显示全部楼层
这段英文 看的我……眼睛花了 还有生词- -!
有没有这样一个人。曾让你对明天充满了期许 却再也没有出现在你的明天。
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发表于 2010-4-27 18:30:57 | 显示全部楼层
240S还算不错,但低频过量,有些破坏了其整体的协调性。比前代的240确实是好推多了。耳机追求“好推”,也是现代耳机的一个普遍趋势。
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发表于 2010-4-27 18:33:31 | 显示全部楼层
我就纳闷,那段英文里面的图片为什么有中文。。。
我是有多想追随我内心的想法,但又不背离社会的主流价值。每当在这件事情纠结的时候,我就带上音乐,拿着镜头,带他们一起去看看这个世界。
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发表于 2010-4-27 18:39:48 | 显示全部楼层

我自己加进去的,图是我的。
240S本身虽然尚可,但和它的那些前辈比起来就一点也说不上经典了,能望其项背就不错了

[ 本帖最后由 davidxtb 于 2010-4-27 18:44 编辑 ]
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发表于 2010-4-27 18:44:36 | 显示全部楼层
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发表于 2010-4-27 18:48:25 | 显示全部楼层
AKG那么多耳机,经典什么时候轮到240S了
这只 REALISTIC PRO-50则是经典。这款耳机,可以说是K240系列和K340系列的杂交体,头梁皮带是K340款式的,而单元则是SEXTETT的那种无源辐射器,不过振膜介于SEXTETT EP和MP之间的样子。
http_imgloadCA594362.jpg http_imgloadCA5SO0JJ.jpg

[ 本帖最后由 davidxtb 于 2010-4-27 18:52 编辑 ]
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发表于 2010-4-27 21:02:24 | 显示全部楼层
自从某个午夜细品过AKG的K140以后,对老AKG很是崇敬。
“子非鱼,安知鱼之乐?”
“子非我,安知我不知鱼之乐?”
“我非子,固不知子矣;子固非鱼也,子之不知鱼之乐,全矣。”
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发表于 2010-4-27 21:46:36 | 显示全部楼层
围观兔大
又来粘这两张图了
:D
系统慢慢重建中~~~
带上耳机吹吹风~~~
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