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发表于 2005-2-12 00:16:30
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下面是引用leolss于2005-02-12 00:07发表的:
俺理解大家都说好的东西一定是好的，但是对自己不一定是好的。
010不好就没人买啦，sony肯定不能说它比R10差，不然自己打自己嘴巴。买家肯定不能说它比R10差，或者说它是骗钱的玩意，不然自己就是傻子啦。俺买的东西肯定不能说不好，不然俺就傻啦。哈哈。
您大概没弄清楚“QUALIA”系列的销售方式，这个系列的产品是买家去现场的专卖店经过详细的亲身体验后，满意才购买的！
“Head-Fi”上有个意大利人飞到日本去感受了“QUALIA 010”的魅力后，觉得无法抵挡，所以才心甘情愿掏钱将其买下。后来自己专门为：QUALIA 010设计了部耳放！按他的说法，QUALIA 010有顶级动圈耳机凌厉的动态的同时，拥有超越顶级静电耳机的细节和速度。
现在他的搭配是：Linn CD12 + 自制的010耳放 + QUALIA 010！
包括楼上的“h88147”兄，也应该是在台湾的：QUALIA订制店中经过反复聆听、比对后，才决定购买：QUALIA 010的（因为此前他已经拥有：MDR-R10了）
这是“Head-fi”上一个几乎听遍了所有的顶级耳机的家伙，给出的他认为的耳机音质的排名：
http://www6.head-fi.org/forums/s ... mp;page=3&pp=20
Qualia>HE90>K1000>R10>HE60>SR-007>HP-1000> S-1>SR-404>L3000>HD650>RS-1>W2002>DT880
其评价如下：
http://www6.head-fi.org/forums/s ... mp;page=5&pp=20
I will answer the recent questions posed by others in the thread at a later time, but for now I'd like to present my personal tiered system (as inspired by Hirsch) - remember this is purely my own opinion and IMHO:
Tier 1:
Sennheiser HE 90: Simply the best headphone I’ve ever heard – it’s so musical and cohesive that it just disappears.
Sony MDR-R10: An alluring sound, especially when driven by tubes; its midrange is something truly special and, as of yet, unmatched.
Sony Qualia 010: This headphone is the closest I’ve heard to a hybrid of dynamic and electrostatic sound qualities; it features the impact and dynamics of transducers and the speed and airiness of electrostatics; the details this headphone retrieves is truly remarkable, and I daresay it’s the most detailed and transparent headphone I’ve ever heard (it is too detailed for my tastes, and isn’t as musical as the HE 90, IMO).
Stax SR-007: It serves as the perfect counterpoint to the HE 90, with its darker tonality and weightier sound; it has a very special charm and sounds better than any other headphone with certain recordings; however compared to the HE 90 and Qualia 010, some minute details and articulation (especially in the bass) is lost.
Tier 2:
Sennheiser HD 650: It has a very musical, cohesive sound that is both detailed and enjoyable; it truly does grow with one’s equipment, and when driven in balanced mode it has such a fantastic soundstage and bass impact that it is beyond reproach in this regard.
AKG K 1000: A soundstage that no other headphone can achieve, as well as great resolution and detail that approaches (and surpasses in certain regards) the HP-1000 and HD 650.
Sennheiser HE 60: This is one of the fastest cans around – it illustrates impossibly-fast transients much like its bigger brother, the Orpheus, but it lacks its older sibling’s refinement and musical shimmer.
Stax SR-404: A true bargain among ‘stats; it comes very close to achieving the Omega II’s resolution, but it cannot quite reproduce bass with any convincing authority and cannot capture the OII's 3D presentation.
Audio-Technica ATH-L3000: It features a very balanced sound that is pleasing throughout the spectrum, but it cannot quite reach the levels of musicality achieved by the MDR-R10 and HE 90.
Grado HP-1000: This ‘phone can capture every nuance and subtly in a performance while not leaving any imprint on the piece; however, this characteristic lends the headphone a dry, lifeless quality that is less than ideal, IMO (though it’s still a firm resident of Tier 2).
Grado PS-1 Pro: It captures most of the detail and resolution of the HP-1000 while retaining a livelier, more enjoyable sound, much like the RS-1; it is a reasonable synthesis of the two Grado greats.
Tier 3:
Beyerdynamic DT 880: These cans sound like the love-child of the HD 600 and K 501, with the former’s bass extension and the latter’s treble detail and wide soundstage; however, it also exhibits a very dry midrange that detracts from the positive sonic characteristics.
Sennheiser HD 600: A very solid headphone that is quite balanced and musical for the most part; some recordings may sound somewhat obscured and distant, but better associated equipment will remedy for the most part (though not completely).
Audio-Technica ATH-W2002: This headphone has a great knack for capturing the essence of a performance, and its forward midrange and great detail are very satisfying; however, its weak bass extension and slowness of attack hurts its performance.
Grado RS-1: A detailed, yet enjoyable headphone that places the listener with the band and refuses to back down; the dynamics and impact are amazing but it grows fatiguing with time.
Alessandro MS-Pro: Very similar to the RS-1, but certain emphasis in the mid-bass region has been removed, and although it has helped the ‘phone sound more neutral, it has also removed a certain “fun factor” that makes the RS-1 special.
Sony MDR-CD3000: The headphone is very detailed and impact-ful; it has a very wide, if artificial-sounding soundstage and a very trebly sound that is highlighted by its poor bass extension.
AKG K 501: This headphone has a very wide soundstage and a very sweet midrange that is unmatched by any other ‘phone in this tier; its lacking bass response and dominating treble lends it an un-balanced sound, IMO. |
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